Hoi allemaal,
Het is weer een maandagmorgen wanneer ik tijd heb om te schrijven. 2 weken geleden alweer, gelukkig heeft Arun tussendoor nog wat gepost.
De afgelopen weken waren leuk. We gaan nu wat meer uit en doen wat meer dingen behalve werken-eten-slapen. Mijn dagen zagen er echt letterlijk als volgt uit: 6.15 opstaan, 6.30-7.30 yoga, 7.30-8.30 douchen, omkleden, ontbijt 9.00-19.00 werken (met om 12.15 het bestellen van de lunch en 13.30 het eten), 20.00 aankomst huis, omkleden, douchen. 21.00 Friends op tv (allemaal oude afleveringen) en avondeten, 22.00-23.00 naar bed. Echt elke dag hetzelfde! Had al even de sleur doorbroken door een middagje te winkelen (zie vorige blog) en afgelopen week zijn we ook veel uitgeweest. Naar de film, zoals Arun al verteld had, vorige week zondag naar een feest en afgelopen week ook 3 avonden uitgeweest. Alles gaat nog steeds om 23.30 dicht, maar in ieder geval is het wel beter om er even uit te zijn.
Werk is nog steeds ok... 28 september loopt mijn proeftijd af (dat is hier 6 maanden) dus ik ben nu aan het kijken hoeveel vakantiedagen ik heb en hoe lang we naar Nederland kunnen komen aan het einde van het jaar. Hoop toch wel 10 dagen want anders heeft het weinig zin.
Het weer is hier nog steeds goed, ietsje kouder nu, maar gelukkig geen regen. En koud betekent hier zo'n 20 graden... 's Nachts wel te verstaan, overdag is het nog steeds zo'n 25.
De plicht roept weer dus ik ga maar weer even mensen zoeken voor de vacature's die ik heb.
Ps. Oracle in Bangalore is op zoek naar Nederlandstaligen voor data-invoer werk. Als iemand zin heeft of iemand weet die zin heeft... laat het even weten!
Liefs!!!
Monday, August 07, 2006
Friday, August 04, 2006
BRIEFING MIKE
A bloddy good insight on how to brief the creative.
Creative briefing and The Sistine Chapel – Damian O’Malley
Once you have a proposition you should try to express it in a way which will propel your creative team towards a solution. A story will help illustrate what we mean.
You are no doubt familiar with the frescoes on the ceiling of the Sistine Chapel. They are one of the greatest works of art of all time painted by the Renaissance genius Michelangelo. We can imagine the briefs he might have been given for this work by his client, Pope Julius II, or the Pope’s account man, Cardinal Alidosi.
(a) ‘Please paint the ceiling’
There is no doubt that this is what Michelangelo was being asked to do but this brief gives him no hints as too what the solution to the request might be. It leaves all the decisions and thinking to the artist before be can put paint to plaster.
b) ‘Please paint the ceiling using red green and yellow paint’
This brief is worse. Not only does it not tell him what to paint it gives him a number of restrictions without justification; restrictions which will inevitably prove irksome and which will distract him from his main task.
(c) ‘We have got terrible problems with damp and cracks in the ceiling and we would be ever so grateful if you could just cover it up for us’
This is much worse. It still does not tell him what to do and it gives him irrelevant and depressing information which implies that no one is interested in what he paints because it will not be long before the ceiling falls in anyway. How much effort is he likely to put into it?
(d) ‘Please paint biblical scenes on the ceiling incorporating some or all of the following: God, Adam, Angels, Cupids devils and saints’
Better: now they are beginning to give Michelangelo a steer. They have not given him the full picture yet (if you will pardon the pun) but at least he know the important elements. This is the sort of brief that most of us would have given. It contains everything the creative needs to know but it does not go that step beyond towards and idea towards a solution.
Here is the brief which Michelangelo was actually given more or less…
‘Please paint our ceiling for the greater glory of God and as an inspiration and lesson to his people. Frescoes which depict the creation of the world, the Fall, mankinds’s degradation by sin, the divine wrath of the deluge and the preservation of Noah and his family.’
Now he knows what to do – and is inspired by the importance of the project – he can devote his attention to executing the detail of the brief in the best way he knows.
Words are little bombs: the right ones can explode inside us demanding an original and exciting solution instead of a mediocre pedestrian one.
Always work very, very hard to find the right proposition and then even harder to find the words which express it in the least ambiguous and most exciting way.
Extract from Creative Briefing chapter in How to Plan Advertising - the Blue Book published by the APG in 1987 and currently out of print.
Creative briefing and The Sistine Chapel – Damian O’Malley
Once you have a proposition you should try to express it in a way which will propel your creative team towards a solution. A story will help illustrate what we mean.
You are no doubt familiar with the frescoes on the ceiling of the Sistine Chapel. They are one of the greatest works of art of all time painted by the Renaissance genius Michelangelo. We can imagine the briefs he might have been given for this work by his client, Pope Julius II, or the Pope’s account man, Cardinal Alidosi.
(a) ‘Please paint the ceiling’
There is no doubt that this is what Michelangelo was being asked to do but this brief gives him no hints as too what the solution to the request might be. It leaves all the decisions and thinking to the artist before be can put paint to plaster.
b) ‘Please paint the ceiling using red green and yellow paint’
This brief is worse. Not only does it not tell him what to paint it gives him a number of restrictions without justification; restrictions which will inevitably prove irksome and which will distract him from his main task.
(c) ‘We have got terrible problems with damp and cracks in the ceiling and we would be ever so grateful if you could just cover it up for us’
This is much worse. It still does not tell him what to do and it gives him irrelevant and depressing information which implies that no one is interested in what he paints because it will not be long before the ceiling falls in anyway. How much effort is he likely to put into it?
(d) ‘Please paint biblical scenes on the ceiling incorporating some or all of the following: God, Adam, Angels, Cupids devils and saints’
Better: now they are beginning to give Michelangelo a steer. They have not given him the full picture yet (if you will pardon the pun) but at least he know the important elements. This is the sort of brief that most of us would have given. It contains everything the creative needs to know but it does not go that step beyond towards and idea towards a solution.
Here is the brief which Michelangelo was actually given more or less…
‘Please paint our ceiling for the greater glory of God and as an inspiration and lesson to his people. Frescoes which depict the creation of the world, the Fall, mankinds’s degradation by sin, the divine wrath of the deluge and the preservation of Noah and his family.’
Now he knows what to do – and is inspired by the importance of the project – he can devote his attention to executing the detail of the brief in the best way he knows.
Words are little bombs: the right ones can explode inside us demanding an original and exciting solution instead of a mediocre pedestrian one.
Always work very, very hard to find the right proposition and then even harder to find the words which express it in the least ambiguous and most exciting way.
Extract from Creative Briefing chapter in How to Plan Advertising - the Blue Book published by the APG in 1987 and currently out of print.
HELLO BEASTIE
Hey all you lovely people!!! Thanx for all the comments. It's more interesting to write when there is an interaction.
Jeroen, chris i can understand the frustration bordering on schizophrenia walking out of that movie hall watching Captain Jack Sparrow walking in to that giant squids mouth with the two words "hello beastie". hahahahhaha..... but man what a frame that was!! jack caught in a side profile stance with his sword drawn back, hair flying, his stance firmly spread with the weight resting on his back feet.... "hello beastie". Does anyone know when the next part comes out??
Vanessa, of course i know u!!! i check your blogs. and you are pretty too. :)You'll find some eclectic comments there soon! :P. Ullie me darlin you'll get your "terrace compilation" soon. I am hopin i can hand it over to you in person. I'll keep my fingers crossed!!
and before this starts sounding like an email than a blog i'll stop.
we will have some pics up soon!!
kisses and hugs to all!
Jeroen, chris i can understand the frustration bordering on schizophrenia walking out of that movie hall watching Captain Jack Sparrow walking in to that giant squids mouth with the two words "hello beastie". hahahahhaha..... but man what a frame that was!! jack caught in a side profile stance with his sword drawn back, hair flying, his stance firmly spread with the weight resting on his back feet.... "hello beastie". Does anyone know when the next part comes out??
Vanessa, of course i know u!!! i check your blogs. and you are pretty too. :)You'll find some eclectic comments there soon! :P. Ullie me darlin you'll get your "terrace compilation" soon. I am hopin i can hand it over to you in person. I'll keep my fingers crossed!!
and before this starts sounding like an email than a blog i'll stop.
we will have some pics up soon!!
kisses and hugs to all!
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